A Guide to Nashville’s Music Venues
I have lived in Nashville since 1998, and I have visited its concert venues many times over. Here are some facts, observations, and opinions about the major ones. Natives and visitors alike will find this guide useful. Event calendars and additional information can be found at the venue websites noted.
3rd and Lindsley (818 Third Avenue South; 500 seating)
This long-standing Nashville nightclub is located at the end of a small commercial business center just a few miles from downtown.3rd and Lindsley features live music every night. It has recently taken over the adjacent space changing it from a small intimate room to a larger-scale venue.
The club offers a wide variety of local and touring acts. It has lately become the new home for a regular Monday night session by local swing band The Time Jumpers. It continues to be the regular site for the Wednesday night jam by the funky Wooten Brothers. Each weekend, it becomes the home of WRLT-FM’s long-running Nashville Sunday Night live concert broadcast.
Tickets are available through its website. Table seating and dinner are available, although the food is quite unmemorable. Seating is first-come, first-served. It can be challenging to find a seat with a good view if the set-up is for standing room down in front of the stage. By far, it has one of the best sound systems in town.
The Basement (1604 8th Avenue South; 100 capacity)
Co-owned by Mike “Grimey” Grimes, the aptly named “cellar of noise” sits below his famous indie record store. The Basement is a great spot to hear the best up and coming local and national talent. Tuesday nights are a free “New Faces Night.”
The small room occasionally has a few tables and chairs, but the crowd of folk standing up usually makes viewing the stage difficult for sitting. The taller bar stools against the wall offer the best spot in the house. Grimes himself is often behind the soundboard reminding us that he is the best sound man in town. He’s also got a killer sound system to boot.
Tickets are generally available only at the door the night of the show except for special performances.
Belcourt Theatre (2102 Belcourt Avenue; 340 seating)
The Belcourt is in a historic landmark which at one time housed the Grand Ole Opry. Today, it regularly operates as a two-screen indie theater. On occasion, and unfortunately less frequently as of late, the theater is transformed into Nashville’s most intimate and comfortable concert venue for touring acts.
Tickets are available through its website. Seats are first-come first served, and lines usually start forming about two hours before show time. It has a great sound system, and photos are allowed subject to artist’s consent.
Bluebird Café (4104 Hillsboro Pike; 120 seating)
The original home of songwriters “in the round,” the Bluebird is the place to hear the country hits performed by the writers who penned them. There are two shows nightly: the first featuring “up and comers” at 6:30 p.m. is free; and the second is a paid admission generally featuring more established writers at 9:30 p.m. There is a dining minimum, and the food is quite good.
Monday nights feature the legendary “Open Mike” auditions at 6:00 p.m. followed by the weekly tradition of the Mike Henderson Band at 9:30 p.m. Tickets go fast and are available through its website at 8:00 a.m. seven days prior to the show. Touring acts occasionally play the club for which special ticket sales usually apply.
There is not a bad table in the place, and it has a respectful “Shhh!” policy which IMHO every venue in town should adopt. Standing room is often available for sold-out shows.
Bridgestone Arena (501 Broadway; 20,000 capacity)
Our local enormodome has been through three different corporate sponsor names in its short life (Gaylord and Sommet were the others). Bridgestone gets the big touring arena acts when hockey is not in town. Reserved seating is through Ticketmaster, and configurations sometimes change to block-out sections for a smaller set-up or offer general admission on the floor for standing.
The sight and sound is pretty much what you’d expect for a venue of this size. Parking downtown can be a drag, so I suggest you check out the Nashville Public Library lot between Sixth and Seventh off Commerce for only $4.
Cannery (One Cannery Row): The Cannery Ballroom (1,000 capacity); Mercy Lounge (500 capacity); The High Watt (250 capacity)
This renovated historic factory building has become a major force on the local music scene. Hip touring acts not yet ready for the Ryman have three available venues in the Cannery complex depending on the anticipated size of the crowd. The Mercy is home to some of Nashville’s best local artists including class cover acts such as The Long Players and Guilty Pleasures. Shows often run concurrently.
Expect great sound, late starts, and lots of people drinking in all three rooms. Also, be prepared to stand since the Mercy and High Watt offer sparse seating while the Cannery offers none. Photos are cool, but the place is dark. The Ballroom’s odd shape causes some viewing issues.
Tickets are available through its website. Lines generally form early for good positioning. The spacious and convenient parking lot will set you back $5.
Exit/In (2208 Elliston Place; 500 capacity)
This legendary nightclub located in the area once known as the “Rock Block” has hosted many big names over the years. Recently, however, it has become better known for under-the-radar national touring rock acts. Outside of a tiny balcony and a few scattered tables on the floor, be prepared for a night of standing on your feet. The elevated stage and system provide both great sight and sound. For a comfortable viewing spot away from the crowd, try standing on the stairs leading to the balcony.
Tickets are available through its website. Don’t expect the show to start anywhere near its advertised time.
Franklin Theatre (419 Main Street in Franklin; 322 seating)
This historic downtown theatre has recently been restored to its original elaborate décor. It runs a steady schedule of touring acts. Its pricey tickets are available through the website. “Cabaret” seating is at four-chair tables down front allowing you to comfortably spread out. If these are sold out, go for the “Classic” seating on the floor. Pass on the “Balcony & Lounge” seats since they are much too far from the stage.
The sound system is great. All photography is disallowed, but people seem to sneak them in anyway. Come early to take a stroll downtown and visit the shops and restaurants.
Grand Ole Opry House (2804 Opryland Drive; 4,372 seating)
The current home of the Grand Ole Opry sits northeast of downtown and is a part of the entire Opryland hotel and shopping mall complex. On rare occasions when it is not full of tourists watching the traditional weekly Opry show, big name touring acts sneak in to play this slick, modern venue which is bigger than the Ryman. Reserved seating tickets are available through the website.
Marathon Music Works (1402 Clinton Street; 1,500 capacity)
One of the city’s newest venues exists just north of downtown in a renovated building which once housed the Marathon Auto manufacturing plant. Marathon offers a rather eclectic mix of touring bands that have yet to catch my attention.
The facility is well-praised by those who have attended although it’s yet another standing room only venue. The wide room is said to offer a better view of the stage to a bigger portion of the crowd. Tickets are available through the website.
Ryman Auditorium (116 Fifth Avenue North, 2,362 seating)
The “Mother Church” is consistently and deservedly awarded best venue in the nation. The original and still occasional home of the Grand Ole Opry is hallowed ground, and most touring artists are genuinely honored to grace its stage. The Ryman runs a busy schedule. Generally, it presents the more established acts across all genres.
Tickets are available through Ticketmaster and at the box office. All seats are reserved and are for marked places on old wooden church pews. You may want to bring a cushion. Try to avoid being on the floor under the balcony (beyond row K) or near the end seats of the semi-circular room where you risk having an obstructed view. Balcony seats offer a fantastic view and start close to the stage.
The sound system is excellent once the place fills up, although opening acts sometimes suffer an echo bouncing off the empty pews. Photos with non-detachable lens cameras are allowed subject to artists’ consent.
Be sure to arrive early to purchase one of the unique 250 limited Hatch Show Print posters made for each event.
Schermerhorn Symphony Center: Laura Turner Concert Hall (1 Symphony Place; 1,872 seating)
This elegant home of the Nashville Symphony sometimes gets contemporary artists who perform both with and without the symphony. As you would expect, tickets are pricy. Members get an early crack at tickets, so find a friend who is a member to help you get a good seat, all of which are reserved.
The sound is great for the symphony, but I have had some bad experiences there with amplified sound. Forget about photos, and be on your best behavior!
Station Inn (402 12th Avenue South, 150 seating)
This world famous house of bluegrass still remains a landmark while the upscale Gulch part of town has developed around it. It hosts a regular schedule of local and national acts. There are no advance ticket sales. Seating is on a first-come, first served general admission basis so start lining up at the door early. Seating is at long tables running perpendicular to the stage in addition to some standing areas. The food offering is pretty simple, but you won’t mind as you will feel down home welcome.
War Memorial Auditorium (301 Sixth Avenue North; 1,661 seating)
This historic room is located downtown across from the State Capitol adjacent to the government complex. Quiet for several years, it has recently blossomed as a venue for touring acts that you’d expect to see playing the Ryman. Seating is generally reserved with tickets available on-line through the venue website. The folding chairs on the floor, however, are removed for a few general admission shows. The balcony runs square around the room and can be a tricky place to find a great seat. This venue offers great sound and is photo-friendly.
Wildhorse Saloon (120 Second Avenue North; 2,000 capacity)
The Wildhorse is a country-western themed bar, restaurant, and dance hall located in the heart of the downtown entertainment district. Tied in with the Opry properties, it typically hosts busloads of tourists coming in from the Opryland Hotel for a night of dining, drinking, and dancing. This elaborately renovated former warehouse space frequently features currently charting country artists. On occasion, it will host a has-been rock band whose only remaining original members were minor players.
Tickets are available through Ticketmaster, and seating is at reserved tables that can get pricy down in front. Cheap general admission seats are usually offered.
The Woods Amphitheatre at Fontenal (4225 Whites Creek Pike; 4,500 capacity)
Fontenal is located on the northwest side of town and is the former estate of country singer Barbara Mandrell. As far as being a music venue, it is nothing more than a make-shift stage placed in a field. The Woods currently serves as our areas only current outdoor amphitheatre offering a rather limited summer schedule. Despite being off the beaten path, it’s not that hard to reach. Trying to leave in a hurry after the show can be a challenge.
Tickets are available through Ticketmaster. It offers reserved seating in front on white wooden folding chairs with a cheaper lawn option in the rear available. Some shows have been all general admission.